Further Rant on BBC Article on Zeb & Haniya

As I mentioned in my previous blog post, I had a few issues with Syed Shoaib Hasan’s recent BBC News article on Zeb & Haniya.

As expected, that article was picked up by a number of Pakistani blogs like PakPositive and Vajood and I thought it might be useful to include here the comments I left on one of those blogs because it further explains my issues with the article:

I don't understand the relevance of Nadeem Paracha's comments in this article. Was this a news report about Zeb & Haniya or a review of their music? This is aside from the fact that saying their music is "good, not extraordinary" is actually quite useless because it doesn't mean anything. I mean, really, what does it mean when you say that someone's music is "good"? That's too general, too relative, and basically a cop-out. And why does Paracha "caution" people about their music? Is he afraid they'll like it too much and will think it's "extraordinary"?

The reason I'm getting so irritated by this is that this is the only time I've read an article about Pakistani musicians in which their music has been reviewed by a "leading music critic" or by any critic for that matter. And, personally, I don't think it's a coincidence that the only time this has happened is the only time a female duo has been discussed. I don't remember *anyone* talking about the quality of the music of *any* male artist, duo, or group in an article like this *ever* in the past. Do you?

BBC News Report on Zeb & Haniya

The BBC’s Syed Shoaib Hasan just published an article on Zeb and Haniya on the BBC News website. And while it’s awesome that Zeb & Haniya are getting this kind of international news coverage, I don’t particularly like the angle that Hasan has taken with this story.

As it stands, the article has the “Ooh, look! Pakistanis aren’t all terrorists – some women are allowed to sing!” tone and that really pisses me off. This despite the fact that political commentary in a story like this was inevitable. The phrase “girl band” in the title, ‘Pakistan girl band creates a stir’, ticks me off as well.

The article then makes a needless reference to Bollywood in its first sub-heading (“Ooh, look! They watch Indian movies…they must be normal people!”) and contains this sentence:

Addicted to their Bollywood movies and Pakistani pop music, many are at ease with privately imitating their idols.

Right. That exactly what all Pakistanis are like.

Hasan also keeps calling the duo “Pakistan's first all-female music band” which is not accurate.

Worst of all, though, he goes and quotes the eminently patronizing Nadeem Farooq Paracha who is, apparently, “Pakistan’s leading music critic”. I’m not sure why Hasan did that because Paracha’s sole contribution in the article is to put Zeb & Haniya down (in his usual eminently patronizing style) which is particularly irritating as this is supposed to be a news report and not a music review.

I mean, WTF? Why couldn’t this have been a straightforward article about a couple of female musicians who are doing well in Pakistan. Wasn’t that news enough? What was the added benefit of talking about how good or bad their music is? (This is like writing an article about a new female politician in Pakistan who is doing quite well and then getting a quote from a political analyst who says something like “her policies are good, but they are not extraordinary”.)

All those issues aside, though, I’m glad the article was written because at the very least it gives widespread and much-deserved coverage to Zeb & Haniya and their music.

Impressed With Shehzad Roy

I've never been a big fan of Shehzad Roy's music but I've always appreciated what he's done: the music he's made has generally been good, his collaboration with Sukhbir was fun, he was instrumental in getting Bryan Adams to perform in Pakistan, and his Zindagi Trust non-profit is making a real difference. [Official website]

I am, however, seriously impressed with his latest album, Qismat Apnay Haat Mein, which he launched in Karachi's Juvenile Jail last month. Roy is still fun, funny, and interesting but boy has he matured. And some of his new stuff is good, hard-hitting, and brilliantly political.

Take, for example, the first single from that album, 'Laga Reh'. Rarely do you get such a enjoyable, sarcastic, in-your-face, and yet immensely motivating song all in one. Here's the video:

And the album's title track -- which has also been uploaded to YouTube -- actually has the phrase "I'm allergic to bullshit" in it! :)

Of course, the entire album isn't political -- only four of the songs are -- but it's awesome that he's doing something like this and I highly recommend you go buy the album. (Though I have to admit I only like about half of the album myself!)

Dolly Parton's Cover of 'Shine'

While surfing the 'net for stuff for Collective Soul stuff I found something really interesting: Dolly Parton covered 'Shine' in 2002 and won a Grammy Award for it!

Here's what Rolling Stone had to say about what happened:
Nobody was more surprised to find out that Dolly Parton had covered Collective Soul 's anthemic breakout 1994 single "Shine" than the Atlanta band's frontman Ed Roland. "My phone rang early one morning and one of my friends said, 'Dolly Parton just sang your song on TV!'" he recalls fondly. "Apparently she told the TV host that she was doing it as a gift for her husband Carl Dean, who really loved the song."

She's done a pretty good job, too. Here's the original 'Shine':





And here's Parton's cover version:





Not bad, eh? :)

Bands That Have Influenced Me

After writing my previous post I got to thinking about what it means to have a bunch of "all-time favourite bands" and my conclusion was: bands that helped develop and define my taste in music (both listening and performing).

According to a research study that we discussed in my MBA Consumer Behaviour class, people's overall musical taste correlates most to the music that was at the top of the charts when they were around 21 years old. I turned 21 in 1997 but, given that bands often take a few years to get really big, my favourite bands should be the ones that were big during the mid- to late-'90s. As you'll see below, that's actually pretty accurate.

Here is my (updated) list of all-time favourite bands/musicians (let's just call them "artists", shall we?):

  • U2

  • Dire Straits

  • Peter Gabriel

  • REM

  • Sting

  • The Police

  • Collective Soul

  • Toad the Wet Sprocket

  • Linkin Park

  • Garbage

  • Pearl Jam

  • Def Leppard

  • Goo Goo Dolls

  • Better Than Ezra

  • Matchbox Twenty

  • Sheryl Crow

  • Tom Petty and the Heartbreakers

  • Melissa Etheridge

  • The Cranberries

  • Vital Signs

  • A-Ha

  • The Corrs

  • Bryan Adams

  • Madonna

  • Deep Forest

  • Enigma

  • Moby


That's a pretty long and reasonably diverse list, isn't it? And I've probably missed a couple as well.

As you'll notice from the list, most of these artists were really popular in the mid- to late-'90s -- though some were on their first album while others were on their fifth. The only two new artists in there are Moby and Linking Park and the two that disbanded before the 90's -- i.e. The Police and Tom Petty and the Heartbreakers -- both released best-of albums during that time.

Did I gain any new insight about myself while compiling this list? Not really. Still, it was a fun list to put together and it might tell you a thing or two about me (though I'm not entire sure what!).

Collective Soul - Afterwords

One of my all-time favourite bands, Collective Soul, released a new album a few months ago (called 'Afterwords') and I only just found out.

This is what happens when you are overly absorbed in something (like, say, an MBA) and, when you get some free time, only listen to mainstream music. Terrible, isn't it? I am such a bad fan.

Fortunately, now that I am up to speed, some album buying shall ensue. Meanwhile, there's always Collective Soul's MySpace page to keep me happy.

Signed Up With GotRadio.com

I wrote about GotRadio.com a few weeks ago: that I was impressed with it and was considering signing up for its paid service. Well, after listening to it regularly for almost two months now I went and signed up with it today and, guess what, I'm even more impressed!

Why? Well:

  • The higher-quality audio makes a big difference
  • The player interface is much cooler and you can do many more things with it (more than just skip to the next track in the playlist)
  • I like that I can create channel blends (to play different kinds of music at the same time) as well as playdecks (which are custom playlists)
  • I like that I can both 'favourite' and 'block' songs and artists
  • I like that I can see the next/previous five songs in the my current playlist
  • Importantly, I love the music discovery benefits that you get from a radio station, particularly one that's tailored to your specific tastes and moods

The best part is that it doesn't cost much: US$4.95 per month or $26.95 per year.

So, if I was highly recommending GotRadio.com earlier, I'm even more highly recommending it now!

12 Most Powerful Musicians of Today

Interesting post on MuchMusic.com on the 12 Most Powerful Musicians of Today. The list is cool because it isn't just based on album sales but also on things like merchandising, tours, and charity work. And, in my opinion at least, it's pretty accurate.

That said, if you were to take a few more variables into account -- particularly since the word "powerful" could mean a lot of things -- you might want to add a few more names to that list. For example:

  • If you include the ability to make industry-changing strategic moves, you'd include Trent Reznor.
  • If you think about who controls the most sought after copyrighted material in the world these days, you'd include Paul McCartney.
  • If you think of musicians as influencers, then you'd consider adding people like Elton John and Sting.
  • And if you think of musicians as enablers, then people like Peter Gabriel would also warrant a mention.

But that's not the point of this post. The point is to get you to read the post on MuchMusic.com, which you should now do.

I Think She Knows Interlude is Awesome

The 'I Think She Knows Interlude' part (i.e. the second half) of Justin Timberlake's song Lovestoned / I Think She Knows Interlude is really quite awesome.

I've heard the song a few times before, but mostly on the radio. Today, however, I heard it on my earphones (thanks to Got Radio) and I am very impressed. Others think so too. In fact, John Mayer did a really cool electric guitar cover of it:

Cool, no?

[Via All Things Go]

Internet Radio Explorations: Got Radio

I used to be a huge shortwave radio buff in my teens [1] but that was before cable TV and the Internet came to Pakistan and became affordable to the general public. I never really got into Internet radio, though. I was never in a situation where I could. At home cable TV ruled because we got our first satellite dish antenna a good ten years before broadband and at work I never got the time or the bandwidth.

The one time I did get into 'net radio was when I was working for InterActive Communications and I would listen to Radio Free Virgin quite a lot. Even then, I'd only tune in when I was working late because during the day I was office DJ -- playing music from our pooled CD and MP3 collection via large speakers connected to my workstation -- and, besides, there was rarely enough bandwidth to get a good, high quality stream going before 6pm.

So it's only recently -- thanks to having broadband Internet but no cable TV at home and full days on my laptop at work or university -- that I've really started to get into Internet radio...and there's a lot of catching up to do. So far I've used both Windows Media Player and Real Player to explore radio stations and that's been a lot of fun. I've also checked out Australian stations, NPR, VOA, and, of course, the BBC (with its really nifty iPlayer). They've all been good too.

I'm still in 'net radio investigation mode, though, and I'll share my thoughts on it as I learn more. For now let me just recommend to you Got Radio which has a really good selection of music channels, all of which are on-demand (i.e. if you don't like a song you can press next and move on to the next track in the playlist). The quality of the stream isn't all that great for an audiophile like me (though it sounds alright on my Altec Lansing laptop speakers) but the music selection is really good. And if you sign up (US$4.95/month or $26.95/year) you get a high quality, ad-free stream instead. I don't think I'm quite ready to do that yet, but it's something I might consider for the future.

For more on Internet radio in the future, stay tuned to this blog.

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[1] Ooh, now that's an idea for another blog post: my days as a shortwave radio buff. I should write about how I got introduced to the BBC back in the late '80s (my father used to listen to their MW service every morning and evening) soon after which I became a real radio geek, building SW antennas and keeping a logbook and all.

Ah, the good old days...listening to the latest news, talk, and music from the BBC, VOA, Radio Australia, Radio Moscow, and everything in between. Of course I had a lot more free time in those days. Time enough to sit for hours on the balcony listening to the Hitchhiker's Guide to the Galaxy, live coverage of the '92 Olympics, and music from all over the world.

Peter Gabriel & Technology

Peter Gabriel, one of my all-time favourite musicians, continues to be at the forefront of technology usage -- particularly when it comes to technology for music and human rights:

On the human rights side:

  • In 1992 he co-founded WITNESS, "an international human rights organization that uses video and online technologies to open the eyes of the world to human rights violations"
  • In 1999 he started TheElders.org, which is a "new gathering of world leaders who [have] come together to guide and support our 'global village'".

So it's no surprise that he is involved in recent areas of music technology as well:

Both sound really interesting and I'll write more about them once I've played around with them a little more.

[More PG: Wikipedia, Last.fm, Real World Records, WOMAD]