Medibank data breach

Finally got the email [1] from Medibank saying that my old membership data with them was stolen by cyber criminals.

Screenshot of an email with the heading ‘An important update from Medibank’.

The email reads: “Dear Ameel, We’re deeply sorry to inform you that some data relating to your former membership has been stolen in the recent cybercrime event. This email details what specific membership data was stolen, outlines actions you can take to safeguard your online identity, and the services available through our Cyber Response Support Program”.

The email then goes on to list what categories of data have and have not been stolen. The data stolen is name, gender, date of birth, email, address, phone number, policy number, and passport number. The data not stolen is credit card and banking details, and health claims data.

I left Medibank in 2009 so, with the exception of my name, gender, and date of birth [2], all the other data they have one me is now outdated and irrelevant.

And while it’s not great that various cybercriminals now have this data, in the broader scheme of things ‘tis but a flesh wound. After all, there’s not much that cybercriminals can do with a single old residential address, an old pre-paid phone number, and an expired Pakistani passport number :)

(Why Medibank kept all my customer data thirteen years after I closed my account with them is a whole other issue, of course. *sigh*)


[1] I got the email from them on 15 November 2022.

[2] You can find all this about me using open-source intelligence gathering anyway — like by looking through my social media feeds and seeing when my friends have wished me ‘happy birthday’, for example.

Gaps in the rain radar

I’m very pleased with my ability to find the gaps in the rain in which to walk the dog.

The arrow on the rain radar map below shows the direction the clouds are moving in. The gap marked out is when I walked Maggie.

And this is what happened exactly two minutes after we got home!

Animated GIF showing of a wild and windy downpour in a residential back garden.

Not a fan of Halloween decorations

Maggie (our heeler/kelpie mix), the first time we walk by this Halloween decoration: does a double take, but keeps walking.

Second time: takes a hard look (still without breaking her stride) but then determines it’s some stupid human thing.

Third time: ignores it completely.

Photo of a fake dog skeleton placed on a flagstone among other Halloween decorations in a residential garden.

Lessons from dog

The best way to deal with the clammy, rainy, miserable afternoon we’re having in Melbourne today…

Photo of a red/brown dog sprawled out in front of a gas heater, with her front paws stretched out towards the fire. The dog is lying half off of the mat that’s been placed on the floor for it. The dog has her chin pressed up against the tiled area that’s in front of the heater.

Walking in the rain

I’ve gotten very good at interpreting the Bureau of Meteorology rain radar to find 15–30-minute gaps in the downpour during which I can walk Maggie.

This photo is from our successful zip around the block yesterday.

Selfie of a bearded, bespectacled man in a yellow raincoat who is walking a red/brown dog that’s wearing a black raincoat. The pair are walking along a residential street.

You can’t 100% rely on the rain radar, of course, so Maggie and I are always dressed for the worst.

This Ruff n Rugged oilskin coat from PETstock works remarkably well, and Maggie is comfortable wearing it.

Photo of a red/brown dog in a black, oilskin raincoat sniffing at something on a nature strip along a residential road.

Today, however, we’ve had short showers followed by periods of bright, warm sunshine — the latter of which Maggie is making the most of.

Photo of a red/brown dog sitting in a residential back garden on a sunny day. The dog is sitting comfortably and has its eyes partly closed because of the bright sunlight.

Fortunately, we don’t live near a river so we’ve avoided all the flooding on the Maribyrnong. The flood retarding basins in Melbourne are certainly earning their keep this week!

Music discovery and listening

How do you keep up with the latest music releases? More generally, how do you discover new music to listen to? (At least music that’s new to you.)

Are you beholden to whatever Spotify and commercial FM radio stations are paid to promote to you? Do you get recommendations from people whose taste matches your own? Or maybe whose taste doesn’t quite match your own? Do you let your streaming music provider’s algorithm decide?

Or do you just not listen to new music?

Here’s how I do it: every few weeks I switch between music discovery mode and music listening mode.

Screenshot from YouTube Music’s music discovery playlists. There are songs and albums listed under two headings: ‘New releases’ and ‘Mixed for you’.

Music discovery mode

In music discovery mode I listen to lots of songs I haven’t heard before, regardless of whether they’re old or new releases.

I do that by actively seeking out music from a range of sources, like:

  • YouTube Music’s various discovery, new-release, ‘mixed for you’, and auto-play playlists,

  • commercial FM radio stations in Melbourne (only when I’m in the car),

  • David Byrne Radio,

  • recommendations from podcasts (like the Women of Rock Oral History Project),

  • music from the movies and television shows I’m watching, and

  • full album listens based on whatever random song I’ve heard or music-related thought I’ve recently had.

That last one is possibly the most fun, by the way. I love listening to full albums and this lets me listen to both old and new albums, from both current and past artists.

Like recently ‘I’m Not Over’ by Carolina Liar popped into my head, so I went and listened to their whole ‘Coming To Terms’ album. And most recently I listened to Michelle Branch’s new album, ‘The Trouble with Fever’, which I really liked.

Anyway, if I like any of the songs I hear – or I at least want to give them a second listen – I’ll add those songs to my ‘current’ playlist.

Screenshot from the website of musician David Byrne, showing his radio station page – where he compiles and publishes playlists on different topics, mood, and type of music.

Music listening mode

After a period of discovery I’ll move into music listening mode. That’s basically me listening to my ‘current’ playlist, usually on shuffle :)

Eventually, when/if I get tired of a song, I’ll remove it from my playlist. And, if I really liked it, I’ll add it to my YouTube Music ‘library’.

So that’s what works for me.

What system do you use? Did you put much thought into it? How have you tweaked it over the years? And how is all that working for you? I’d love to know.

South Asian Round Table at AMWF 2022

I attended the South Asian Round Table at the Australian Muslim Writers Festival 2022 which featured Nadia Niaz, Adalya Nash Hussein, Tasnim Hossain, and Tasneem Chopra (as the moderator).

The Coburg Library, where this event was held, is the very first library from which Nadia I got library cards when we moved to Australia in 2006 :)

Photo of a library event space with three green armchairs and a couple of coffee tables arranged in front of a wall. On the wall behind the armchairs is a TV screen with ‘The South Asian Round Table’ displayed in large letters on it.

The discussion was great!

The upshot was that we’re all excited about more (probably second and third generation) South Asians getting into the arts – both in front and behind the scenes. And though there’s been some representation in recent years, there’s still a long way to go and a lot more to do.

Photo of four women of colour sitting on armchairs, taking part in a panel discussion

Here Adalya is talking as a journal editor about making space at the table for South Asian writers.

Photo of two women of colour on a panel discussion. One of the women is gesturing with her hands as she makes her point.

Here is Nadia talking about how she built her own platform to showcase multilingual writers in Australia because nobody else was doing it.

Photo of two women of colour on a panel discussion. One of the women is gesturing with her hands as she makes her point.

And here’s Tasnim talking about creating safe spaces for minoritised groups in her role as theatre director.

Photo of two women of colour on a panel discussion. One of the women is gesturing with her hands as she makes her point. The other woman, who is the moderator, is listening attentively to what’s being said.

Finally, a big shout-out to Özge Sevindik Alkan from The Right Pen Collective for running the whole festival. (This particular panel discussion was organised in conjunction with the SAARI Collective, fyi.)

Özge is the festival director. And, as you know, a festival director’s job is never done!

Photo of a woman wearing a bright blue hijab. The woman is sitting on a chair with a laptop on her lap, while at the same time typing on a smartphone that she’s holding above the laptop.

It would’ve been nice to attend more events from this festival this year, but hopefully I’ll get to do that next year.

Album cover feels

I took a photo that looked like an album cover, so…I made one.

High contrast, sepia photo of people wearing dark, warm clothes walking in a diagonal line through a walkway under a train line. The photo has been cropped and made to look like an album cover with the band name ‘below ground’ printed in large, all-caps text along the bottom. In the top left corner, in slightly opaque bright yellow text, is the album title ‘Volume IV’.

“But what about the three previous albums”, you ask?

Well, this is where it all started…

Photo of a harshly lit underpass, tweaked till the photo is very high contrast black and orange. The photo has been made to look like an album cover for a band named ‘Below Ground’ – which is written in large, all capital letters along the bottom of the image. The album is titled ‘Volume 1’.

Then there was the difficult sophomore album…

Photo of a tunnel with (apparently) colourful panels placed across its curved ceiling. The photo has been desaturated to a pale blue tint and had been made to look like an album cover. Along the bottom of the image, in all capital letters, is the band’s name: ‘Below Ground’. In the top left corner is the album title: ‘2’.

Followed by a critically acclaimed and welcome change in direction by the third album…

Photo of train tracks entering a train station through a tunnel with a large pedestrian crossing on top of it. The photo has been made to look like an album cover, with the band’s name ‘Below Ground’ printed in all-caps at the bottom of the image. In the top left corner is the lowercase letter i repeated three times, which are the Roman numerals for the number three deliberately written incorrectly. That is the title of this album.

Also, these look better when you put them together in a grid :)

Digital cameras through the years

As I dug through my old photos to precisely date my lost Instagram years, it occurred to me that I hadn’t documented anywhere all the digital cameras I’ve been using since 2005. So here’s that list in a nice timeline for future reference.

Infographic showing a series of digital cameras and smartphones placed along a timeline from 2005 to 2021

I don’t just have a timeline, I actually have a record of the first date on which I took a photo using each of these cameras. So, for completeness’ sake…

  1. Olympus µ-20: 4 Jan 2005

  2. Sony Ericsson K750i: 6 May 2006

  3. Canon IXUS 120 IS: 23 Aug 2008

  4. BlackBerry Bold 9000: 25 Jun 2009

  5. HTC Desire HD: 27 Nov 2011

  6. Apple iPhone 4: 1 Dec 2012

  7. Samsung Galaxy S III: 2 Feb 2013

  8. Samsung Galaxy Note 4: 9 Nov 2014

  9. Google Pixel XL: 2 Nov 2016

  10. Google Pixel 3XL: 18 Dec 2018

  11. Google Pixel 6 Pro: 28 Oct 2021

Fun times, and some really good photos too – the oldest of which you can see on my Flickr photostream, by the way (which I don’t post to anymore).

I look forward to seeing which camera – smartphone-based or otherwise – I get next.

UPDATE: I bought a new camera, a Fujifilm X-S10, in December 2022.

Unlocked Instagram photos 4: Jul 2018 to Dec 2018

July 2018

Melbourne

August 2018

Melbourne

September 2018

Melbourne, Sydney, Brisbane

October 2018

Melbourne

November 2018

Melbourne

December 2018

Melbourne

Unlocked Instagram photos 3: Jan 2018 to Jun 2018

January 2018

Melbourne

February 2018

Melbourne

March 2018

Melbourne

April 2018

Melbourne

May 2018

Melbourne

June 2018

Melbourne

Unlocked Instagram photos 2: Jul 2017 to Dec 2017

July 2017

Melbourne, Sorrento

August 2017

Melbourne

September 2017

Melbourne

October 2017

Melbourne, Dubai, Karachi

November 2017

Karachi, Islamabad, Melbourne

December 2017

Melbourne

Unlocked Instagram photos 1: Dec 2016 to Jun 2017

December 2016

Sydney, Melbourne, Freemantle

January 2017

Melbourne

February 2017

Melbourne

March 2017

Melbourne, Avalon

April 2017

Melbourne

May 2017

Melbourne

June 2017

Melbourne, Sorrento

My lost years on Instagram

I’m not a fan of tightly gated internet communities. By ‘tightly gated’ I mean communities (ie social networks) that don’t provide public RSS feeds and also don’t let you view anyone’s content without being logged in yourself.

Instagram is one such gated community.

All my photos used to be publicly accessible

Before 2007 I didn’t publicly share many photos online. Those that I did, I uploaded as albums to this website – like my engagement and wedding photos.

Then in 2007 I joined Flickr and started posting all my photos there. Flickr was an excellent site, and I even had a paid account for several years.

Instagram launched its Android app in April 2012, so a few months later I started posting photos there as well. During this period I cross-posted all my photos to both Instagram and Flickr.

Flickr stagnated, Instagram innovated

Unfortunately, Yahoo! pretty much stopped investing in Flickr. So, while Instagram was becoming increasingly easier and more fun to use, Flickr stayed where it was.

That’s why from 2017 I stopped cross-posting, and instead posted all my photos to Instagram only.

Facebook locked down Instagram

In the earlier days of Instagram you could still browse someone’s profile and look through all their photos without needing an Instagram account yourself. But, over time, Facebook made Instagram an increasingly tighter gated community.

Recognising this was happening, from the start of 2019 I started cross posting all my photos to this blog. That’s where we are now.

Diagram showing four timelines. Three of these are light grey in colour and are labeled ‘Flickr’ (2 Mar 2007 to 7 May 2017), ‘Instagram’ (8 Nov 2012 to 9 Apr 2019), and ‘Random tangent blog’ (1 Jan 2019 to now). One is orange in colour and is labeled ‘Instagram only’ (2017-2019).

Unlocking two years of ‘lost’ photos

What all this means is that I have almost two years’ worth of photos locked inside Instagram’s walled garden. This is what I’m now here to fix.

Over the next four posts I’ll re-share all my Instagram photos from 2017 and 2018 that are currently only available on that platform.

Here goes…

Moving a car workshop

At first I thought this was someone was getting a classic car delivered to them. Then I realised it’s somebody moving their entire workshop because this truck was followed by at least seven others, all carrying cars in various states of repair.

Photo of a beautifully restored 1960s era classic car in pale yellow on the back of a towing truck that’s driving down a residential street.

Food court, 4pm

I love a good liminal space, and I walked by one my way home from work today.

Overhead photo of a mostly empty corner of a food court. There are empty tables and chairs neatly lined up, with only one person sitting and eating and a couple of others walking by.

Also this café, that’s now closed till breakfast.

Photo of a food court café named Lily Li that’s closed for the day. The lights have been turned off and all the chairs have been placed upside down on the tables.

Tu chal, mein aaya

Shout out to Nadia for getting me this happy mug for my recent birthday and to Sophie Hurst for the lovely design!

Selfie of a bald man with a salt-and-pepper beard holding up a large white mug. On the mug is an illustration of a brightly coloured Pakistani rickshaw, drawn on a yellow background. Below the illustration is the text “tu chal, mein aaya…”.

Stopping to smell the flowers

Stopping to smell the flowers.

(Well, technically, stopping to smell which dog had peed on those flowers – but whatever.)

Photo of a red/brown dog smelling the bottom of two large flowering bushes on the side of the residential street. The dog is wearing a walking harness that’s attached to a lead that the photographer is holding.