Out and about in the city

Here are some photos I’ve taken with my new camera. They’re nothing particularly exciting, but taking them has given me a chance to play around with the camera and its settings.

Wide angle

Walking by platform 1 on a sunny day:

Photo of a suburban train station platform taken from the level of the platform floor. Across from the track are are row of tall trees. A sign on the platform tells you this is platform 1 at Gowrie Railway Station.

Burst mode

Pair of pushy seagulls at Federation Square:

Photo of two seagulls, walking forward side-by-side, eyeing something off camera.

Low angle

Watching a movie at Federation Square:

Photo of two people sitting in foldable deck chairs watching a movie being shown on a large screen in a public square. Behind the funky, off-angle building on which the screen is mounted you can see the tall buildings of the city centre.

Zoom

Letting the world pass them by:

Black and white photo of a couple taken through a gap in the trees. The couple are sitting on a park bench facing a river, while a cyclist crosses the walking/cycling path behind them.

I bought a camera!

It’s a Fujifilm X-S10 and it’s really cool.

Face-on photo of a Fujifilm X-S10 camera.

I finally outgrew my existing camera system

I’ve been wanting to get an interchangeable-lens camera for years, but I wasn’t buying one because these types of cameras are:

  1. Inconvenient: they’re bulky, heavy, expensive, and they have a learning curve

  2. Unnecessary: I wasn’t being limited creatively by the camera I already had

I’ve bought one now because both those things have changed…

1. Camera technology has evolved

Mirrorless interchangeable-lens cameras (MILCs) came onto the market several years ago and they’re smaller, lighter, and cheaper than DSLRs. They do still have a learning curve though.

The best part is that all the top camera brands now make mirrorless cameras, so there are lots of models to choose from at different price points.

Screenshot of the digiDirect camera store website showing all the mirrorless cameras they have available for sale. In the left column of the website is a list that shows how many mirrorless cameras each brand has for sale. These numbers range from 1 (ILFORD) to 65 (Nikon).

2. I reached the limit of what I could do with my existing camera set-up

My current camera is a Pixel 6 Pro smartphone. It is a highly capable camera and is something I have on me at all times. However, it has a relatively small imaging sensor, and the capabilities of its lenses are limited by the thickness of the phone itself.

Google’s computational photography does let you take some truly excellent photos, of course, but I’m now at the stage in which I want both higher quality images and more precise, manual control over my photo taking. That’s not something any smartphone camera can offer.

That said, for a while I did extend the capabilities of my phone’s camera by using external lenses designed for smartphones. The telephoto, wide-angle, and macro lenses from Moment let me take some really cool photos, likes the ones below. But using these lenses was only ever a steppingstone to where I want to go to now.

Collage showing photos taken from primary, macro, tele, and wide angle lenses.

I will continue to use my phone camera, of course. As they say, “the best camera is the one you have with you” and I do have my phone on me literally all the time. So I expect many of my everyday photos will still be shot using that. 

That said, the whole point of getting a small and light mirrorless camera like the Fujifilm X-S10 is that I can carry it with me pretty much everywhere I go. I almost never leave home without my backpack and this new camera will now be added to my everyday carry.

Close-up photo of a Fujifilm X-S10 camera lying on a table, party wrapped in a protective pouch.

Choosing my camera upgrade path

Once I made the decision to get a mirrorless camera, the question was: which one?

That then led to four other questions:

  1. What’s my budget? This was between $1-2k for the camera body, kit lens, and maybe one additional prime lens.

  2. What do I intend to do with my new camera? Mostly take non-professional photos of my life (ie family, pets, events, travels, streetscapes, landscapes) and occasionally a few short videos. Even more occasionally use the camera as webcam (eg when I’m presenting remotely at a conference).

  3. Which camera system (ie body and lenses) do I want to buy into? I wasn’t particularly fussed. That said, I wanted to invest in a mirrorless camera system that I could grow into and evolve my photography with.

  4. What else is important to me? A camera that I can carry in my backpack with me everywhere, so something that’s small and light. A camera with a good auto mode and good auto focus. A camera that colour-grades the photos the way I like them, so I won’t have to tweak the colours of most of the photos I want to share with people. And, ideally, a camera with weather proofing and built-in image stabilisation.

Price range

After a great deal of research – which I thoroughly enjoyed doing, by the way – I concluded that I needed to get an intermediate ($1,000+) or midrange (~$2,000) mirrorless APS-C camera.

Beginner level cameras (ie point-and-shoots) and budget mirrorless cameras (ie entry level mirrorless ones) didn’t meet my functionality and capability requirements. While more professional cameras (ie mirrorless full-frame ones) were both too large and very much beyond my budget.

I’d have preferred a midrange camera – all models of which seem to have weather proofing and in-built image stabilisation – but I was happy to settle for an intermedia level camera since most midrange cameras are out of my price range (unless you can get them second hand or during a really good sale).

Short list

This was the initial shortlist I came up with:

I had two Sony cameras on my list because the A6400 is an intermediate level camera that I could afford first-hand and the A6600 is a midrange level camera that I might have been able to get second-hand (if I got lucky).

Photo of a digiDirect shop storefront, a digital camera store. On the display window next to the entrance is a large poster that reads “Boxing Day” and “Our biggest sale of the year is back”.

The Fujifilm X-S10 has everything I need, and them some

Each camera in my shortlist had its pros and cons but, ultimately, these are the things that got me to pick the Fujifilm X-S10 over the other options.

Great colours

I prefer the out-of-the-box photo colours you get from Fujifilm and Canon cameras over the colours you get from Nikon and Sony cameras. Had I got the Sony A6400 – which was my very close second choice – I would have had to manually tweak the colours of many of the photos I took and then wanted to publish.

(This is what I have to do with my Pixel 6 Pro right now, by the way. In the world of Android smartphones, I prefer the photo colours you get from Samsung phones over those you get from any other Android phone camera. But since I very, very much prefer everything else about Pixel phones, photo colours end up being what I compromise on. As a result I have to slightly tweak the colours of most of the photos I take with my Pixel phone before I share them or publish them online.)

Excellent extensibility and growth

Fujifilm and Sony both have a fantastic lens selection (including third-party lenses) and they both have a great camera upgrade path (ie more capable camera bodies you can upgrade to over time).

There are many more third-party (and therefore lower cost) lenses you can buy for Sony cameras versus Fujifilm cameras. But the Fujifilm lenses you use on their APS-C cameras bodies are the same ones you use on their full-frame camera bodies. So if I was to upgrade to a full-frame Fujifilm camera body in the future, I’d get to keep all my existing lenses. With Sony I’d have to switch to a different type of lens and so all my existing lenses would be useless to me.  

Not that I’m looking to upgrade to a full-frame camera any time soon, by the way. But who knows where I’ll be in ten years and what I’ll think of past-me if I do decide to make that change.

In-body image stabilisation (IBIS)

You generally only get IBIS in midrange cameras. The Fujifilm X-S10 is the only intermediate level camera body with IBIS. Like the Swiss flag, that to me is a big plus.

I don’t expect to be shooting much handheld video (which is what IBIS is great for) and I don’t expect to be shooting professional-level landscape photos (for which a tripod is recommended anyway) but I’ll take any extra edge I can get to take sharper photos.

USB-C power and audio

Another thing you only get in midrange cameras is a headphone port that lets you monitor your audio while you’re videoing something. The Fujifilm X-S10 is the only intermediate level camera that has a USB-C port that you can plug your headphones into (via a provided adapter) to monitor live audio. 

I don’t expect to be shooting much video with this camera, but that audio monitoring capability is definitely good to have.

Oh, and as a bonus, this USB-C port can also be used to power the camera. This is great for both charging your battery and for when you want to use your camera as a webcam.

Black and white photo of a woman just before she bursts into a smile.

It's not all rainbows and unicorns though

For all its features and capabilities, the Fujifilm X-S10 also has a few limitations.

Limited auto-focus and burst-mode

Sony cameras have the best auto-focus and face detect capabilities, and they do a great job with burst-mode photos as well (ie taking several high-quality photos per second). The Fujifilm X-S10 isn’t as good at either of those, so I don’t expect fantastic results when photographing sports and action. I’m okay with that. I don’t take many sports or action photos anyway.

Limited 4K video recording

This camera has a thirty-minute limit on recording 4K video in-camera. (There’s no limit if you’re using an external recorder.) That also doesn’t bother me because I’m not buying this camera for its video capabilities. If I was going to be doing more videography than photography, then I would probably have bought one of the Sony cameras instead.

No weather sealing

No intermediate level cameras are weather sealed. That means I can’t take this camera out in the rain. And I need to be careful when using it around sand or water as well; or when its super dusty outside. But that’s okay because I didn’t expect to be doing (much of) that anyway.

Photo of a stuffed toy version of a webcomic panel that shows a dog with a hat holding a white coffee mug that reads ‘This is fine’.

Taking the next steps in my photography journey

Now that I’ve finally got my hands on this camera, it’s time to learn to use it properly. I’ll publish another post later in which I list all the useful learning resources I’ve used so far.

For now let me leave you with a comparison that shows the quality of photos you get from the Google Pixel 6 Pro smartphone camera compared to the photos you get from the Fujifilm X-S10 mirrorless camera. I should note that the objective of this photo was to focus on the fence, and only on the fence. It’s cool to see what you can achieve with the Fuji without even trying too hard.

Collage of two photos of the same scene taken by two different cameras: the Google Pixel 6 Pro and the Fujifilm X-S10. The collage is titled ‘Focus on the fence’. In the foreground of the scene is the ornamental top of a metal fence. Behind that is a garden with some bushes, more of the fence, cars parked on the road, and several trees. In the Google Pixel 6 Pro photo the fence is focus while everything else is slightly out of focus, but still very much recognisable. In the Fujifilm X-S10 photo only the fence is focus, while everything else behind the fence is pleasingly blurred and out of focus.

That comparison above highlights the two specific things I’m most looking forward to right out of the gate with my new camera (versus my smartphone camera), which are its ability to:

  • do precise focusing on your subject

  • shoot photos with a narrow depth of field (in which everything in the foreground and in the background are pleasingly out of focus)

So onwards and upwards! Let the learning and then the photographing begin.

And I'm back on Flickr

After almost six years of not publishing anything on Flickr, I am now back on that platform.

Why? Because it’s nice to have a presence on a platform that lets you publish a public photo stream. (Unlike Instagram, which I wrote about a few months ago.)

It’s not just that though. Flickr lets you organise your photos into albums and publishes the EXIF metadata of the photos you have uploaded. You can also tag your photos, add them to public galleries, favourite other people’s photos, and even sell your photos.

Basically, it’s a great place to share your photos — and it works well for both amateur and professional photographers alike.

Closing the gap

I’ve now spent the last few days uploading five years’ worth of ‘missing’ photos to my Flickr profile. These are the photos I originally posted only to various social media channels or to this blog.

Now there is no gap between when I stopped publishing photos to Flickr back in 2017 and when I’ve resumed publishing there now (in December 2022).

If you’re someone who follows me on Flickr, I apologise for all the photo spam! Fortunately, that’s all done now.

Diagram showing four timelines. The one on top is labeled ‘Flickr’ and is in two parts. Its first part starts on 2 Mar 2007 and ends on 7 May 2017. Its second part, which is shaded in orange, starts from 30 Dec 2022 and continues to present day. The two middle timelines are labelled ‘Instagram only’ (2017-2019) and ‘Instagram’ (8 Nov 2012 to 9 Apr 2019). The bottom timeline is labelled ‘Random tangent blog’ (1 Jan 2019 to now) and this is also coloured orange.

Double the fun

Going forward I will post all my photos to this blog as well as to Flickr.

And, while you’re welcome to scroll back through this blog to see all the photos I’ve shared over the years, it’ll probably be easier to see them all in one place on Flickr :)

Waiting for a train

Waiting for a train at Yarraville Station in Melbourne, Australia.

Photo of an empty outdoor train platform, taken with the camera placed very close to the ground. The platform extends into the distance, and the bit of pavement the camera has been placed on shows cracks from years of use in the hot Australian summer. Across the train tracks you can see an out-of-focus train station build on the other platform.

Top-down photo of the edge of a railway platform, with the top half of the photo showing one of the train tracks and the bottom half showing the thick white line that marks the edge of the platform. The photographer’s white sneakers and the cuffs of his jeans are visible at the very bottom of the photo, with the front part of his sneakers on top of the white line. The edge of the platform and white paint on it is cracked and peeled from years of use under the hot Australian sun.

Hood art!

This is probably the coolest car hood that I have ever seen in my entire life!

Photo of the hood of an older Volvo car parked just off the street on a sunny day. The hood of the silver car has been hand painted to show an artistic depiction of a scene from the film ‘Alice in Wonderland’. The scene shows the yellow brick road making its way through some greenery. On the road are Alice, her dog Toto, and the Tin Man. The Tin Man is shown in the foreground, and he is holding a small hatchet. Toto is in the background and next to him we can see only Alice’s feet and lower legs under her blue, patterned skirt.

Maggie is conflicted

We’re about to go for a walk — which Maggie is super excited about — but then she heard Nadia opening the cheese drawer in the fridge :)

Photo of a red/brown dog standing in a residential hallway. The dog is wearing a walking harness attached to a red leash that’s been stretched tight in front of the photographer because the dog is pulling towards the back of the house.

Walking in the rain

I’ve gotten very good at interpreting the Bureau of Meteorology rain radar to find 15–30-minute gaps in the downpour during which I can walk Maggie.

This photo is from our successful zip around the block yesterday.

Selfie of a bearded, bespectacled man in a yellow raincoat who is walking a red/brown dog that’s wearing a black raincoat. The pair are walking along a residential street.

You can’t 100% rely on the rain radar, of course, so Maggie and I are always dressed for the worst.

This Ruff n Rugged oilskin coat from PETstock works remarkably well, and Maggie is comfortable wearing it.

Photo of a red/brown dog in a black, oilskin raincoat sniffing at something on a nature strip along a residential road.

Today, however, we’ve had short showers followed by periods of bright, warm sunshine — the latter of which Maggie is making the most of.

Photo of a red/brown dog sitting in a residential back garden on a sunny day. The dog is sitting comfortably and has its eyes partly closed because of the bright sunlight.

Fortunately, we don’t live near a river so we’ve avoided all the flooding on the Maribyrnong. The flood retarding basins in Melbourne are certainly earning their keep this week!

Digital cameras through the years

As I dug through my old photos to precisely date my lost Instagram years, it occurred to me that I hadn’t documented anywhere all the digital cameras I’ve been using since 2005. So here’s that list in a nice timeline for future reference.

Infographic showing a series of digital cameras and smartphones placed along a timeline from 2005 to 2021

I don’t just have a timeline, I actually have a record of the first date on which I took a photo using each of these cameras. So, for completeness’ sake…

  1. Olympus µ-20: 4 Jan 2005

  2. Sony Ericsson K750i: 6 May 2006

  3. Canon IXUS 120 IS: 23 Aug 2008

  4. BlackBerry Bold 9000: 25 Jun 2009

  5. HTC Desire HD: 27 Nov 2011

  6. Apple iPhone 4: 1 Dec 2012

  7. Samsung Galaxy S III: 2 Feb 2013

  8. Samsung Galaxy Note 4: 9 Nov 2014

  9. Google Pixel XL: 2 Nov 2016

  10. Google Pixel 3XL: 18 Dec 2018

  11. Google Pixel 6 Pro: 28 Oct 2021

Fun times, and some really good photos too – the oldest of which you can see on my Flickr photostream, by the way (which I don’t post to anymore).

I look forward to seeing which camera – smartphone-based or otherwise – I get next.

UPDATE: I bought a new camera, a Fujifilm X-S10, in December 2022.

Unlocked Instagram photos 4: Jul 2018 to Dec 2018

July 2018

Melbourne

August 2018

Melbourne

September 2018

Melbourne, Sydney, Brisbane

October 2018

Melbourne

November 2018

Melbourne

December 2018

Melbourne

Unlocked Instagram photos 3: Jan 2018 to Jun 2018

January 2018

Melbourne

February 2018

Melbourne

March 2018

Melbourne

April 2018

Melbourne

May 2018

Melbourne

June 2018

Melbourne

Unlocked Instagram photos 2: Jul 2017 to Dec 2017

July 2017

Melbourne, Sorrento

August 2017

Melbourne

September 2017

Melbourne

October 2017

Melbourne, Dubai, Karachi

November 2017

Karachi, Islamabad, Melbourne

December 2017

Melbourne

Unlocked Instagram photos 1: Dec 2016 to Jun 2017

December 2016

Sydney, Melbourne, Freemantle

January 2017

Melbourne

February 2017

Melbourne

March 2017

Melbourne, Avalon

April 2017

Melbourne

May 2017

Melbourne

June 2017

Melbourne, Sorrento

My lost years on Instagram

I’m not a fan of tightly gated internet communities. By ‘tightly gated’ I mean communities (ie social networks) that don’t provide public RSS feeds and also don’t let you view anyone’s content without being logged in yourself.

Instagram is one such gated community.

All my photos used to be publicly accessible

Before 2007 I didn’t publicly share many photos online. Those that I did, I uploaded as albums to this website – like my engagement and wedding photos.

Then in 2007 I joined Flickr and started posting all my photos there. Flickr was an excellent site, and I even had a paid account for several years.

Instagram launched its Android app in April 2012, so a few months later I started posting photos there as well. During this period I cross-posted all my photos to both Instagram and Flickr.

Flickr stagnated, Instagram innovated

Unfortunately, Yahoo! pretty much stopped investing in Flickr. So, while Instagram was becoming increasingly easier and more fun to use, Flickr stayed where it was.

That’s why from 2017 I stopped cross-posting, and instead posted all my photos to Instagram only.

Facebook locked down Instagram

In the earlier days of Instagram you could still browse someone’s profile and look through all their photos without needing an Instagram account yourself. But, over time, Facebook made Instagram an increasingly tighter gated community.

Recognising this was happening, from the start of 2019 I started cross posting all my photos to this blog. That’s where we are now.

Diagram showing four timelines. Three of these are light grey in colour and are labeled ‘Flickr’ (2 Mar 2007 to 7 May 2017), ‘Instagram’ (8 Nov 2012 to 9 Apr 2019), and ‘Random tangent blog’ (1 Jan 2019 to now). One is orange in colour and is labeled ‘Instagram only’ (2017-2019).

Unlocking two years of ‘lost’ photos

What all this means is that I have almost two years’ worth of photos locked inside Instagram’s walled garden. This is what I’m now here to fix.

Over the next four posts I’ll re-share all my Instagram photos from 2017 and 2018 that are currently only available on that platform.

Here goes…

Moving a car workshop

At first I thought this was someone was getting a classic car delivered to them. Then I realised it’s somebody moving their entire workshop because this truck was followed by at least seven others, all carrying cars in various states of repair.

Photo of a beautifully restored 1960s era classic car in pale yellow on the back of a towing truck that’s driving down a residential street.

Food court, 4pm

I love a good liminal space, and I walked by one my way home from work today.

Overhead photo of a mostly empty corner of a food court. There are empty tables and chairs neatly lined up, with only one person sitting and eating and a couple of others walking by.

Also this café, that’s now closed till breakfast.

Photo of a food court café named Lily Li that’s closed for the day. The lights have been turned off and all the chairs have been placed upside down on the tables.

Delightfully dessert-ey

I’ve had a delightfully dessert-ey few days.

First I made a (gluten and lactose free) three-tier carrot cake with cream cheese frosting. Plus a basic fruit trifle. Both turned out really well :)

Photo of a dining table (with a flowery table cloth) around which people are standing. On the table is a large cake with rustic cream cheese frosting and the numbers 5 and 0 stuck on top of it. Also on the table is a trifle bowl containing fruit trifle that’s topped off with vanilla custard.

Then yesterday I made two pies: one apple and one sweet potato.

I made the gluten free sweet pastry for these from scratch too.

Close up photo of an apple pie cooling on a rack. Behind the apple pie, and slightly out of focus, is a sweet potato pie.

The apple pie even featured an unintentional alien face :)

Close up photo of an apple pie that has three slits cut into it so steam can vent during baking. The slits are arranged in a way that looks like two angled eyes and a vertical mouth.

And since I had some leftover pastry, I made a few mini apples pies for good measure!

Photo of four mini open apple pies cooling on a rack on a kitchen counter.

Those turned out pretty well too.

Close up photo of a mini open apple pie with crispy, caramelised apples and a nicely browned crust. This pie is lying on a cooling rack, along with a couple of adjacent mini pies.

So yay for some successful weekend baking!

At rest

Paws at rest…

Close up photo of a red/brown dog asleep inside a fuzzy orange dog bed. The dog’s paws are in the foreground of the photo, while its head is in the background and is slightly out of focus.

Chin at rest…

Photo of a red/brown dog sleeping on a grey dog bed. The dog’s chin is resting on the side wall of the bed.

Putting it all together: chin on paws at rest :)

Photo of a red/brown dog asleep on the floor. The dog’s chin is resting on its two front paws.